It is no coincidence that among the painters “recovered” as objects of worship in contemporary times, we find precisely those who at the time defied the Christian canon or the neoclassic canon: for example, Hieronymus Bosch and Brueghel “the Elder.”
It is no coincidence that among the painters “recovered” as objects of worship in contemporary times, we find precisely those who at the time defied the Christian canon or the neoclassic canon: for example, Hieronymus Bosch and Brueghel “the Elder.”